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Michener Museum traces the history of America through shoes

A pair of green high heels and silver high heels are in a glass display case. Museum-goers are visible in the background.

"Walk This Way," an exhibit at the Michener Museum in Doylestown, features more than 100 pairs of shoes from the collection of designer Stuart Weitzman. Weitzman's father, Seymour Weitzman, designed these green, pointed-toe lace-up pumps in 1964. (Emma Lee/WHYY)

What can we learn about America by looking at our shoes?

Particularly shoes for women: Mary Janes, T-straps, stilettos, peep-toes, lace-ups, sling-backs, sandals, boudoir slippers. More than 100 pairs of shoes spanning the last 184 years are on view at the Michener Art Museum in Doylestown, Pa.

“Shoes can tell us a lot about identity, about social history, political history, and women’s history,” said chief curator Laura Turner Igoe. “They’re also beautiful and fabulous objects. They can tell us a lot about design and craftsmanship in this country.”

A woman looks at a pair of high-heeled shoes in a glass case.
Laura Turner Igoe, chief curator at the James A. Michener Art Museum in Doylestown, checks out her favorite pair of shoes in the exhibit ”Walk This Way; Footwear from the Stuart Weitzman Collection.” Weitzman designed the Diamanté pumps inspired by the Chrysler Building. (Emma Lee/WHYY)

The shoes come from the collection of Stuart Weitzman, the famed shoe designer who has become a major philanthropist in Philadelphia. There are three buildings with his name on them: the National Museum of American Jewish History, the design school at the University of Pennsylvania, and the forthcoming annex of the Annenberg Center for Performing Arts at Penn.

Weitzman is based in Connecticut and an alumnus of Penn’s Wharton School of Business. “Walk This Way” was originally organized by the New-York Historical Society. This show at the Michener is in its second edition.

A glass display case holds a pair of leg-length red lace-up boots next to a sign that has words on it.
Red patent leather boots designed by Gregg Barnes were used in the Broadway musical ”Kinky Boots.” (Emma Lee/WHYY)

Weitzman began collecting decades ago at the behest of his wife, Jane Gershon Weitzman, when she started giving him gifts of interesting shoes.

“What do you give to a partner over time, you know?” said Igoe. “She decided that shoes, historic shoes, would be the way to go. She selected shoes that are either really unusual or exciting in their design.”

A row of decorative heels, without the rest of the shoe, are displayed.
Decorative heels from the late 1920s feature rhinestones in bold geometric designs. (Emma Lee/WHYY)

The oldest pair of shoes date to 1838, a pair of silk wedding slippers. Who made them, and who got married in them, is unknown. A sharp-eyed visitor may notice that there is no distinction between left and right. Both shoes in the pair are exactly the same shape, without regard to the arch of the foot.

The more recent shoes include Weitzman’s ostentatious Million Dollar Shoes, a glamorous pair of high-heel sandals set with 464 real diamonds, made for actress Laura Harring for the 2002 Academy Awards. Weitzman later made a version for the retail market set with crystals instead of diamonds, which is what visitors to the Michener will see.

A pair of decorated sandals are in a glass case.
The original Million Dollar Sandals designed by Stuart Weitzman were ornamented with 464 Kwiat diamonds and were worn by actress Elena Harring at the 2002 Academy Awards ceremony. This reproduction uses more affordable Swarovski Crystals. (Emma Lee/WHYY)

Between those historic bookends reveal the development of the American women’s shoe, which shadows the evolution of the American woman, herself.

In the early part of the 20th century during a push for suffrage and the right to vote, skirt hems rose from the floor to above the ankle, making it easier to both march in the street and, later, to dance in speakeasies. Shoes became more visible, and their style more important.


Shoe designers began including large peek-a-boo eyelets, allowing colored silk stockings to shine through. Intricate beadwork on the uppers was better appreciated once a shoe was freed from the veil of a floor-length skirt.

Shoes are shown in a glass display case, with a sign with information about the suffragette movement visible in the background.
In the early 1900s, as women fought fr the right to vote, hemlines rose and shoes became more decorative. (Emma Lee/WHYY)

“You’ve got all these interesting patterns and different fabrics that were made to catch the eye, rhinestones, and beading,” said Igoe. “If someone was dancing in a club, the shoes would sparkle.”

Once handmade by craftspeople, shoes became mass-produced in factories, sizes became standardized, and prices dropped. More women could buy more shoes.

Instead of just a few pairs of necessary shoes for practical purposes – summer shoes, winter shoes, Sunday shoes – a woman could buy shoes on a whim, just because she liked them. Without missing a beat, designers and retailers targeted this new market.

Three pairs of shoes are displayed in a glass case.
In the 1930s, designers introduced the peep-toe shoe, leaving a small opening at the front of the shoe to reveal just the tip of the toes. (Emma Lee/WHYY)

This new shoe market also changed women’s labor. Around the turn of the century, there were more women in the workforce making shoes than in any other manufacturing sector, about 30%. Much of that work was sewing uppers. The wall text in “Walk This Way” explains efforts by women in shoe factories to unionize.

Above all, “Walk This Way” is an exhibition of American style. Weitzman learned to make shoes in Massachusetts from his father, Seymour Weitzman. Some of Seymour’s shoes from the 1950s and 60s are on display, like a short-heeled pump he designed during the space race at the height of mid-century futurism: it has a toe of powder blue leather polished to a fine sheen, shaped like the point of a rocket.

Designers used modern materials to make shoes never seen before. Steel and plastic allowed heels to be thinner and longer, paving the way for the stiletto. The show pays particular attention to designer Beth Levine, who pioneered the use of plastic acrylics in the 1950s, in particular the clear Lucite heel.

A row of high heels are visible up close.
Designer Beth Levine produced a wide assortment of shoes with transparent vinyl uppers and Lucite heels. (Emma Lee/WHYY)

Igoe has a favorite pair: a pair of original Weitzman pumps encrusted with red and white crystals, inspired by the architecture of the Chrysler Building in Manhattan.

“I’m kind of a magpie. I like shiny things,” she said. “So it’s hard to resist red and silver sparkly shoes.”


The Michener has had success with fashion-oriented exhibitions in the past, including the dresses of Grace Kelly, the magazine photography of Charles Sheeler, and handbags by Judith Leiber.

“Walk This Way” is meant to appease that taste.

“I’ve been hearing people say, ‘Oh, I love this pair of shoes,’ or, ‘I would never wear those.’” said director of exhibitions Joshua Lessard. “Those opinions are very quickly developed.”

A close-up of a pair of gold high heels with sequined feathers at the back of the heel.
Sequined evening shoes designed by Stuart Weitzman in 1972. This pair was made in Spain because Weitzman found it increasingly difficult to find skilled workers in the United States. (Emma Lee/WHYY)

Also overheard in the galleries: a man wondering where the men’s shoes are. His male companion joked that such a show would be much smaller.

In an addendum to the main exhibition, the Michener included a small show of shoes by local designers, including two pairs of men’s shoes: sneakers hand-painted by the graffiti and ceramic artist Roberto Lugo, and a pair of black dress shoes by Perry Ercolino, made for President Barack Obama.

A pair of heel-less shoes are decorated with a dragon replica at the toe.
In addition to Weitzman’s collection, ”Walk This Way” features shoes made by local designers, like these heel-less shoes made by Philadelphia designer Conrad Booker. (Emma Lee/WHYY)

Ercolino, a second-generation Doylestown shoemaker, is one of the few people in the United States who designs and makes bespoke shoes for individual clients. While shoes made for very wealthy corporate leaders with fairly conservative fashion tastes do not have the flamboyance of shoes made for women, Ercolino still engages his clients in deep conversations about the nuances of shape, color, and style.

“We need equal time, just as sure as the ladies do,” said Ercolino about being included in this exhibition of mostly women’s shoes. “We don’t want to be shrinking violets. It’s nice to be accepted into that universe of just good design and good making.”

Ercolino made a pair of shoes for Obama while the president was still in the White House, for which he received a personal note of gratitude. So he made another pair, unsolicited, which after several years he still has not had a chance to deliver.

Ercolino has never met Obama to inquire about his personal style or take measurements of his feet. He gets his information second- and third-hand from Obama’s personal tailor. But he is fairly certain he got it right when he saw photos of Obama wearing his shoes during an official presidential trip to the Middle East.

The second pair, having never been worn, is at the Michener Museum waiting for their intended.

“I wanted to get them to him before he left office, within the last six months of his tenure in the White House, but nothing ever seemed to work out with the people that I had some connections with,” said Ercolino. “So there I am sitting with a pair of shoes for the president. If he ever gets away from Martha’s Vineyard, or down near Kalorama, I’ll maybe just throw them over the fence.”

“Walk This Way” will remain at the Michener Art Museum until January 15.


SOURCE: https://whyy.org/articles/michener-museum-history-america-shoes/

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